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I had the great honour to be asked to sit as one of the two subjects, along with artist James Guppy, for this years FEHVA Portrait Prize. There are two $1000 prizes on offer and the winners will be announced at the FEHVA Festival opening and awards night at the A&I Hall Bangalow May 25. Among entertainment for that evening will be the Buttery Recovery Choir which recently made a sensational debut at the Blues and Roots Festival in Byron. I was happy to be involved as the FEHVA Festival raises funds for wonderful rehabilitation work done by The Buttery.
There were 25 artists gathered in the hall where I sat. Initially I answered questions and chatted so the artists could get some sense of "me." They took thousands of photos for reference and it's unnerving have a camera up close with someone muttering, 'just doing your ear." I sat still, staring into the middle distance for three hours with only a couple of ten minute breaks. I drifted off to some place else but my eyes, still recovering from an infection, didn't like it and watered profusely. The artists were a lovely group, very grounded and genuine although some were a bit "out there", but as I have artists in my family I understand that.
Along with the more mature artists, there were three students who were being mentored by Angus McDonald – an artist who has who has a portrait hanging in the current Archibald. One was Nell Pearson, who was at home for Easter, is on a scholarship at the famed Julian Ashton School in Sydney, another was Liam Van Dugteren who is a student from Lismore TAFE and the third was Charlotte Kippax from St John's Woodlawn.
While it was somewhat different, it took me back to 1992 when I sat for artist David Andrews who was a friend and student of my artist Uncle Ron Revitt. I loved David's work so when he asked if he could paint me for the Archibald Prize, I agreed. He wanted to do a black and white theme in the style of the Russian artist, Serov, so I borrowed his wife's black cocktail dress and killer shoes and we tried out poses for two hours until I fell into a chair and he said, "don't move!" So that's how I sat, every evening for 8 nights. David hung a man's dinner jacket on the back of the chair and called the painting "The Watcher." We were thrilled when it was chosen to be hung. And one of the trustees told us later we missed out winning the prize by just a whisker. My darling mum who also a good artist burst into tears when she saw the painting hung so prominently in the NSW Art Gallery.
I bought the painting but had nowhere to hang it, so it hung in the lobby of the Sydney Hilton Hotel for 9 years.
It now hangs behind our front door - only place it would fit.
Cheers
Di’s latest book The Islands, published by Pan Macmillan, is now on sale.
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